{"id":125,"date":"2026-10-09T13:30:00","date_gmt":"2026-10-09T12:30:00","guid":{"rendered":"https:\/\/demo.hyperstation.example\/?p=125"},"modified":"2026-10-09T13:30:00","modified_gmt":"2026-10-09T12:30:00","slug":"dear-ajayi-nigeria-oscar-submission","status":"publish","type":"post","link":"https:\/\/newsroom.ng\/?p=125","title":{"rendered":"&#8216;Dear Ajayi&#8217; Selected as Nigeria&#8217;s Entry for the 99th Academy Awards"},"content":{"rendered":"<p>The Nigerian Official Selection Committee (NOSC) has chosen <em>Dear Ajayi<\/em>, directed by Damilola Orimogunje, as the country&#8217;s submission for Best International Feature Film at the 99th Academy Awards. The selection marks Nigeria&#8217;s return to the category after it made no submission for the previous edition.<\/p>\n<h2>About the film<\/h2>\n<p><em>Dear Ajayi<\/em> is a Nigeria-Germany co-production set in southwestern Nigeria in the 1990s. It stars Bimbo Akintola and Tosin Adeyemi. The film had its world premiere at Venice Days, a section that runs alongside the Venice Film Festival, where it won the Premio Enrico Fulchignoni and the Premio Bisato d&#8217;Oro for Best Cast and Performances. It has since screened at festivals in Rio de Janeiro and El Gouna.<\/p>\n<p>Orimogunje previously directed <em>For Maria Ebun Pataki<\/em>, a widely praised drama about postpartum depression, and is regarded as one of the most distinctive voices among Nigeria&#8217;s newer filmmakers.<\/p>\n<h3>Key points<\/h3>\n<ul>\n<li><strong>Film:<\/strong> <em>Dear Ajayi<\/em>, directed by Damilola Orimogunje.<\/li>\n<li><strong>Category:<\/strong> Best International Feature Film, 99th Academy Awards.<\/li>\n<li><strong>Cast:<\/strong> Bimbo Akintola and Tosin Adeyemi.<\/li>\n<li><strong>Festival honours:<\/strong> two awards at Venice Days.<\/li>\n<li><strong>Next step:<\/strong> the Academy&#8217;s 15-film shortlist is due in December.<\/li>\n<\/ul>\n<h2>The road ahead<\/h2>\n<h2>Background<\/h2>\n<p>The Nigerian Official Selection Committee reviews eligible films each year and must submit a feature with predominantly non-English dialogue that has been released theatrically within the qualifying window. Yoruba and other Nigerian languages have therefore become central to the country&#8217;s Oscar ambitions. Members of the committee have said they look for films with strong craft and festival potential.<\/p>\n<p>Nigeria has never received a nomination in the international feature category. Its first submission, <em>Lionheart<\/em> in 2019, was disqualified because most of its dialogue was in English, and later entries such as <em>The Milkmaid<\/em> and <em>Eyimofe<\/em> did not make the shortlist. With festival recognition already in hand, supporters hope <em>Dear Ajayi<\/em> can go further. Final nominations will be announced in January.<\/p>\n<p class=\"photo-credit\"><small>Photo: Unsplash (illustrative).<\/small><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Damilola Orimogunje&#8217;s Venice Days award-winner returns Nigeria to the Best International Feature race.<\/p>\n","protected":false},"author":1,"featured_media":225,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,10],"tags":[37,53,89,99],"class_list":["post-125","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","category-nollywood","tag-dear-ajayi","tag-film","tag-nosc","tag-oscars"],"_links":{"self":[{"href":"https:\/\/newsroom.ng\/index.php?rest_route=\/wp\/v2\/posts\/125","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/newsroom.ng\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newsroom.ng\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newsroom.ng\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/newsroom.ng\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=125"}],"version-history":[{"count":0,"href":"https:\/\/newsroom.ng\/index.php?rest_route=\/wp\/v2\/posts\/125\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/newsroom.ng\/index.php?rest_route=\/wp\/v2\/media\/225"}],"wp:attachment":[{"href":"https:\/\/newsroom.ng\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=125"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newsroom.ng\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=125"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newsroom.ng\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=125"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}